SKY DESIGN AWARDS × MERCI MAGAZINE
Official Sky Knowledge Repository · 2026

Park Homes Shijo Kawaramachi

Mitsui Designtec Co., Ltd.

SKR-2026-000068

Project Metadata

Award
Sky Design Awards 2026 — Finalist
Project
Park Homes Shijo Kawaramachi
Location
Kyoto, Japan
Project type
Interior Design — Residential / Communal Areas
Designer/company
Mitsui Designtec Co., Ltd.
Client/collaborators
Park Homes Shijo Kawaramachi; HOSOO
Completion
February 2025
Evidence reviewed
Designer submission, seven project photographs and one A3 concept panel; no floor plans or sections supplied

Editorial Rewrite

At Park Homes Shijo Kawaramachi, Mitsui Designtec draws inspiration from the rich cultural fabric of Kyoto to shape the communal experience of a modern residence. The building is located next to a temple with a history spanning four centuries, and its shared interiors incorporate elements of Nishijin weaving, seasonal flowers, literature, garden culture, and the city's historic street grid.

The communal areas are designed as a private “Gallery of Kyoto.” Art, crafts, and local references are integrated into the residents’ daily pathways through the building, giving the common spaces a cultural identity that evolves over time with repeated use.

A striking glass art installation marks the double-height entrance. This piece incorporates ro, the open gauze traditionally used for summer kimonos, and transforms its lightness into a suspended composition of fibre, glass, and gold. Viewed from the entrance, staircase, and upper landing, the installation changes with different perspectives and light conditions, bringing a sense of movement to the atrium through shifting transparency and reflection.

Stone, dark metal, and timber create a subtle backdrop for this artwork. Beneath the stairs, rocks and gravel form a dry landscape that connects the entrance to Kyoto’s temple and garden traditions through both material choice and composition. On the second floor, the communal program is organized around three themes: IKOU, TSUTAU, and MANABU, which translate to relax, inherit, and learn. IKOU features a lounge space for conversation and relaxation. TSUTAU showcases contemporary Nishijin-ori and local crafts. MANABU provides an environment for reading that includes books, ceramics, and references to Kyoto’s cultural history.

Nishijin-ori also influences the spatial layout. The interplay of warp and weft is reflected in lattice screens that filter views between connected areas. Their layered design allows light and movement to flow across the floor while creating a clear sense of enclosure for each space. Kyoto’s goban-no-me, the historic grid that has shaped the city for centuries, is echoed in the alignment of floors, shelves, and partitions within the interior. This consistent geometry allows the unique characteristics of stone, timber, textiles, and artwork to shine through.

MANABU organizes books, ceramics, and artworks in a tranquil setting suited for reading and close observation, while IKOU offers a more residential atmosphere. Loose seating, natural light, and floral arrangements make it a relaxed space for residents to unwind outside their apartments. Seasonality is also a significant consideration. Flowers and branches are incorporated into the lattice and along circulation routes, reflecting Kyoto’s longstanding tradition of marking the seasons with thoughtfully chosen arrangements.

The project also embraces okuyukashisa, a sensibility associated with discretion, depth, and refinement. Artworks, objects, and materials can be discovered from various distances and through layered views, providing a sense of exploration that unfolds over time. Park Homes Shijo Kawaramachi integrates Kyoto’s craft traditions, literature, and seasonal culture into contemporary residential life. Mitsui Designtec weaves these references into the daily experiences of the building, establishing a strong connection between its shared spaces and the cultural essence of the city.

Editor’s Review

The design effectively transforms a complex cultural narrative into a series of shared communal experiences. IKOU, TSUTAU, and MANABU each offer unique sanctuaries, grounding the gallery in meaningful activities that go beyond simple aesthetic representation.

The central installation showcases exceptional spatial awareness, rising with a presence that anchors the atrium without feeling heavy. Its combination of gold leaf, transparency, and shadows creates a dynamic atmosphere, rewarding observers with changing nuances throughout the day. This commitment to consistency is also reflected in the lattice screens and grid geometry, which unify the interior architecture. These elements serve a dual purpose, referencing both the textile history of the Nishijin-ori tradition and the urban fabric of Kyoto, while also defining the scale and transitions of the lounge spaces.

Peggy’s Editor’s Note

Park Homes sets a standard for communal interiors by emphasizing the importance of practical elegance. The gallery serves as a living archive where residents can relax, appreciate craftsmanship, and engage in intellectual pursuits as part of their daily lives. By living in this space, residents connect meaningfully with Kyoto's heritage, fostering a quiet and direct interaction with the city's traditions. The installation gracefully balances ceremony and simplicity. Its value lies in its ability to transform continuously; the changing transparency and light provide a unique perspective with every visit. This quality encourages personal reflection and deeper appreciation for the space, inviting residents to return each day consistently.

Image Analysis

**Image 01 — Double-Height Entrance with Glass Art Fabric** A tall illuminated textile plane rises next to the black metal stair, framed by stone walls and a dry landscape. This installation creates a ceremonial focal point at the entrance while maintaining a sense of visual lightness.

**Image 02 — Garden Beneath the Stair** Rocks, gravel, and concealed edge lighting fill the low space beneath the staircase. Perforated screens and a dark structure form a layered backdrop, making the compact landscape appear as a deliberate enclosed space within the atrium.

**Image 03 — Lattice Threshold and Gallery Sequence** Open timber screens frame a long sightline toward illuminated display shelves and a central artwork. The repeated grid directs movement while allowing for partial views between the adjacent lounge and gallery zones.

**Image 04 — Seasonal Flowers Through the Lattice** Red blossoms and green branches are visible up close through the overlapping timber members. This photograph shows how the screen transforms a floral arrangement into a dynamic composition of color, shadow, and texture.

**Image 05 — MANABU Reading and Display Area** Two dark sculptural chairs face a pale textured artwork, flanked by illuminated shelves filled with books, ceramics, and small objects. This symmetrical arrangement creates a quiet focal point at the end of the gallery route.

**Image 06 — Textured Artwork and Illuminated Shelf** A close-up view pairs a relief-like pale panel with a narrow display shelf featuring books and craft objects. Focused lighting highlights the surface depth, while the dark wall surrounding the display helps minimize visual clutter.

**Image 07 — IKOU Lounge Behind Translucent Screens** A central table and casual seating are situated within a warm lounge enclosed by open lattice panels. A circular ceiling light, seasonal flowers, and low furniture enhance the inviting atmosphere.

Drawing and Spatial Analysis

No architectural floor plans or sections were provided in the project folder. The spatial analysis is based on seven photographs, the concept panel, and the designer's written description. The entrance is distinctly organized as a double-height vertical sequence. The glass art installation is positioned next to the staircase and is visible from the ground floor, the landing, and the upper corridor. A rock garden occupies the stair void, while concealed perimeter lighting establishes a continuous base throughout the atrium. The upper level unfolds as a connected route, divided by open lattice screens. IKOU offers a more open lounge area; TSUTAU functions through textile elements, screens, and curated displays; and MANABU serves as a focused reading and object area at the end of the sequence. The screens allow these zones to remain perceptually linked while providing each with a distinct level of enclosure. Furniture and display items are strategically positioned away from the main circulation line. This keeps the pathway clear and allows residents to stop without obstructing movement. The combination of low seating, shelves, flowers, and artworks creates several small centers of attention within one continuous communal space.

Original Designer Submission — Verbatim

Interior Design Description: Park Homes Shijo Kawaramachi Concept: Gallery of KYOTO Centering on the interior design concept "Gallery of KYOTO," this project creates a private gallery space where residents can savor the slow passage of time in Kyoto while experiencing traditional Japanese crafts. The design narrative is woven from two key elements: the 400-year legacy of the adjacent temple and the world-renowned Nishijin-ori textiles by HOSOO. Entrance - A Symbolic Interplay of Light and Craft: Taking full advantage of the double-height entrance atrium, a dynamic "glass art fabric" installation serves as the spatial centerpiece. It features "Ro"—a specialized gauze fabric used in summer kimonos—to create a shifting transparency and a shimmering gold leaf brilliance that evolves with the passage of time, standing as a majestic symbol of the space. 2nd Floor - Three Zones of Experience: The second floor is meticulously zoned into three distinct areas to create a meaningful sequence for visitors: IKOU (Relax): A comfortable lounge space bathed in soothing natural light. TSUTAU (Inherit): A gallery that honors tradition through modernized Nishijin-ori art and intricate lattice work. MANABU (Learn): A dedicated book lounge for exploring the depth of local history. Design Details and Aesthetics: Throughout these areas, seasonal flowers, historical Japanese literature, and contemporary Nishijin-ori art are thoughtfully curated to create a balanced "Ma" (space). The floor and wall patterns draw inspiration from the "goban-no-me" (grid of a Go board) unique to Kyoto by utilizing vertical design elements. The lattices that gently partition the space incorporate motifs of the warp and weft threads of Nishijin-ori, inspired by the "Fusuma" (sliding doors) of a temple’s main hall. Through these meticulous details, we aim to captured the Japanese virtue of "okuyukashisa" (refined modesty and depth), resulting in a truly one-of-a-kind communal environment.

Prepared for Merci Magazine × Sky Design Awards 2026